I have sent the RHETORIC master and artwork to manufacturing. Been struggling all week with the sequencing of this album, sometimes a tough nut to crack. After exchanging views on this with my good friend Egil Olsen and my girlfriend, who’s occasionally been working as a DJ and therefor has this natural hunch about the order of songs or maybe it was that…

female intuition thing that shone threw,
(and that helped a lot.)

The album will be released on CD (Digipack) unlimited and on 12″ vinyl (180 gr) limited to 500 copies and numbered. On the digital releases there will be one extra song. The vinyl is just gonna be the good-looking fella and therefor doesn’t need that extra song. And here you have the album sleeve as designed by Egil Olsen – the singer/songwriter – not the football manager (just had to, just had to clear that).

You like that?
I do.

So about time I release another song from the album. In form of a video. You have heard this song before if you took the time to listen to the live album that I released in July this year. Frontline and Landing – the two first songs that I finished in the process of making RHETORIC (season one).  And here’s the official LANDING music video.

You like that?
I do.

Hugs and Kisses,
-bOb tOast

PS! Listen to a live version of the single from Live at Ocean Sound Recordings, you can also buy it on iTunes, Amazon, etc. plus stream on Spotify and WIMP.


I’ve spent all of September recording and mixing my new album Rhetoric. Even though I have only spent about 15 days in the studio it has been in creation and in my head 24/7 all month. It’s a lot of music to come up with, consume, develop, ennoble and strengthen since I decided to play all instruments (apart from strings, Lise does that) myself and therefor is challenging to manage and overview. It’s been hectic, intensive, creative and, not to say the least, a lot of fun. My companion in the process has been the ever so great Rune Berg who, this time, has been engineering and mixing (sometimes even co-produced!, thanks for that, it wasn’t in the deal), so all in good hands.

Tonight we are putting down the final mix.

This album is my proudest moment. It feels like it’s first now, after so many years since my debut, that I have finally come back to be the playful, spontaneous and unstudied musician and artist that I so much enjoyed being in the years before signing to a major label and the whirlwind of rules and regulations that came with that. It’s been a roller coaster ride where the valleys are deep, dark and depressive, and the mountain tops, that I so much love, are reaching sky high. Luckily, for me, I enjoy both – it breeds something interesting in both ends and I have always believed in keeping it real. And reality is not toneless.

With love,

If you wanna hang with me on my journey towards my third studio album release, I am going to post updates, describe songs and show you videos from the studio sessions here on this site. Today, all fresh from today’s session, a video of Rune mixing Hold Your Hands Up High.


SADNESS IS A BLESSING (lykke li cover)

It’s strange how few cover songs I have managed to put in my shows the last 5 years. I am more and more attracted to the idea that I will always have one or two of my favorite songs in my set list and do my own interpretation of it. So far the list is very short. I can mention Detroit Rock City by KISS, Lucy In The Sky With Diamonds by The Beatles, We Are The World by USA for Africa, and these I only played parts from in the middle of a Newborn-jamming situation. 1979 by Smashing Pumpkins is the only song that I played full length. These are songs I’ve done at live shows. And as far as I know I have only covered two songs on radio, one being Yesterday by The Beatles on German radio in Potsdam back in 2006 and Even Flow at some Paris radio show dating back to 2005. That’s it I think.

Well enjoy my first full length YouTube-cover song. Sadness Is A Blessing – one of my favorites this year.